A wedding party leave church in this Lumière brothers' short film.

Hamid is a journalist, in his late thirties and he sees his celibacy with his petty bourgeois family as an escape route so as not to resemble his own. His family wants to marry him at all costs to his neighbor Rym (30) to put an end to his hesitation, and the bad tongues that do not spare hardened single people. Not daring to oppose his family's decision to marry, Hamid prefers to avoid the atmosphere of preparations.

Exotic street scene with men riding camels.

在印度洋的一座岛屿——科摩罗群岛上，无人居住的房屋等待着主人的归来。这些毫无生气、半建成的建筑在这片土地上随处可见。永恒轮回的神话在科摩罗侨民群体中不断上演。

A successful businesswoman thinks she has found her daughter, whom she lost when she was six months old...

In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

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Working men and women leave the Lumière factory, through the main gate. Three separate versions of this film exist, this is the second remake "no horse" version.